Shifting perspective and nurturing reality

This week's literary fortune comes from Patti Digh's Life is a Verb.

There are certain books that draw us in to an ongoing and interactive relationship. Books that we cannot let go and that we go back to time and again. For me, Patti Digh's Life is a Verb is one of those. It's a beautiful book. for one; but it's also a reminder for me, every summer, to be a participant in my life rather than a spectator, which can happen, especially when I become tired and grow discontented. When I look around at the messy yard that needs a fence and a good landscape artist which I can't afford, the floor that incessantly needs swept, the unmade beds, and the sink full of dishes, it's easy to dream of a different life.

For me, it's always good to take stock and find a more positive perspective. That messy yard is surrounded by towering cedars and smells of wind and earth. The floor that cries out to be vacuumed is covered in fur from pets that bring me joy, feet that belong to the people I love, and dirt from the path that leads into a home that contains laughter and happiness. The unmade beds are comfortable, inviting places where dreams are had and books are read. And the sink full of dishes exists because we are not hungry.

A good "perspective shifting" exercise is listing all the things that make us nuts, all the things we wish we could change, and then re-writing them as positives (as evidenced above). It's a powerful way to intentionally accept our lives as they are, in spite of (maybe even because of) the imperfections. This is something I call "nurturing reality". Often, we are told to nurture our dreams, but in doing so, we run the risk of being disappointed with what we already have. Nurturing reality is a way to take care of what already exists and embrace our dreams through that lens.

I think it's okay to be unsatisfied sometimes. It pushes us to improve. But it's always good to remember that we are what we are, we live where we live, and there is happiness to be cultivated there, no matter where "there" is. It's the old "bloom where you're planted" adage. Whether one believes in destiny or fate, or prescribes to the idea that we are the captains of our own ships, there is no denying that today has offered us a certain existence. We can choose to be disappointed with it or see it for what it is...a gift.

Yesterday, we went on a walk...the whole family. My son, who does not prescribe to the "walk forward with purpose and a destination in mind" way of life, lagged behind as usual, skipping and meandering at a snail's pace. At one point, I turned around to encourage him to catch up. He ran toward me, dragging the dirt-encrusted roots of a fistful of wild daisies. He handed them to me with a grin; he knows they are my favorite. So I carried them, dirt and all, back to the house, cut the ends, and stuck them in a jar. They are the perfect reminder that life, in all it simple imperfection, must be savored.

Sometimes we place too much importance on productivity

Okay, maybe I'm being dramatic. Being productive is a good thing, right? I mean, it's such a positive word. We like being called productive. We like feeling productive. And for fanatical planners like myself, we like dreaming about and pre-scheduling all the productiveness we can. 

I don't know about you, but I plan to the point of obsessiveness, and I become irrational about completing things and checking them off my list. My calendar and my "To Do" list often rule my life. And...I'm pretty damned productive...most of the time. Until I'm not. Until I've scheduled, planned, and "produced" myself right into a corner where I rock myself back and forth and mumble under my breath.

Some people are naturally high-strung or easily stressed out. I'm going to assume (maybe wrongly) that more women fall under this category than men, because many of us truly try to "do it all". I think that may be why I only feel "normal" during the summer, when I'm not "working" (I put that in quotes, because any stay-at-home mom knows their job is just as tough as going elsewhere to work). Suddenly, I'm not doing it all. I don't even have to try. I can have a clean house and still have time to write, or sit on the couch and read, or do something fun with my son. 

At 3:05 last Friday, my life changed. My students, bless them, boisterously ran out the door, yelling, chasing each other; some were hugging and crying (even though they will see each other in a few days or text each other ten minutes after they part), because, let's face it, middle school is the land of self-initiated drama. 

I'm still a lot like them. Maybe that's why I stay there. Because, even though they don't make a darn bit of sense to a lot of people, they do to me (most of the time). 

This isn't so helpful for the people around me who are not daily mired in the beautiful insanity of "tweendom". They don't get it. And I'm afraid, that means, sometimes they don't get me.

But, in the summer, when I'm away from it all, I change. I'm not driven by the needs of 90 young people. I only have one. I'm not planning, and copying, and meeting parents, and phone-calling, emailing, grading, counseling, poster-making, website-building, tidying, going to meetings and workshops, trying to fit in a work out, a dog walk, homework help, house-cleaning, raising a child, yard work, running errands, keeping a budget, and trying desperately to find some time just to sit and relax, without 42 things that need to be done running through my brain.

Summer is when I reclaim my balance and my mental health. And for better or worse, it's when I reclaim my place in my family. 

It's common that we dislike doing at home what we have already had to do all day. Housekeepers might have a messy house. Mechanics might drive a nearly broken down car. Landscapers may have an overgrown lawn. Me...I've been "needed" all day. I've answered questions and mentored and discussed and demonstrated from one end of the day to the next. By 5:00, I'm tapped out. 

The problem is...I don't have the luxury of tapping out...so, I keep going - somehow. And I make up for what I couldn't get done during the week on the weekend. It leads to nine and a half months of constantly feeling overworked and knowing I'll never get it all done. Not good for the psyche.

On Friday, I did something very unlike me. I walked out of my classroom and left several things "undone". Yes, I'm likely to pay for it when I return, but, it felt good just walking away. My "To Do" list isn't going anywhere. All the filing and tidying will still be there in August.

And my summer "To Do" list? Normally, by this time, it would already be a mile long. I'll admit...I have planned to get the house in order this first week, one room at a time, cleaning things out and taking several trips to Goodwill, cleaning carpets and dusting places that haven't seen a cleaning rag since last summer. And I have signed my son up for swimming lessons and several day camps (both for his benefit and my sanity). But, otherwise, I'm really just going to work on not caring that my yard isn't perfect and that the dishes aren't done. I'm going to focus on doing things I like to do. It already feels weird. And I'm not at all positive how successful my plans will be. Because, while I'm a pretty darn good planner, but I will admit that rarely does plan A work out. I'm more of a plan B or C or F sort of person. 

It works sort of like this:

Idea + Implementation = Success (this is the ultimate goal)

Idea + Attempted Implementation + Moving on to Idea 2.0 + (Blood + Sweat + Tears) + Attempted Implementation = Good Enough (though possibly quite far from what I had initially expected)

And this can be done quite quickly. In the classroom, I can go from Plan A to Plan F in the course of about 30 minutes, depending on how the planets are aligned, how many announcements come across the loudspeaker, who's broken up with whom, changes in the schedule, snow falling, power outages...you name it.  I've learned over the years how to "let go" of things. I make plans, sure...every teacher does. But I make them knowing full well they'll be changed by lunchtime. I do all my planning in pencil and have a collection of large erasers. I'm flexible, and I've learned to re-plan on a whim. At home, I'm more resistant to changing my plans, and I can doggedly hold on to them until I've nearly driven myself mad. Maybe it's a product of having to give up so much control at school. I'm sort of a control freak...and I've got to have at least one outlet for my neurosis. Or do I?

I'm working on learning to walk away from things when they don't work out the way I want them to. Take some time away. Re-evaluate. Come back later and try again...or not. I'm working on living at home the way I do at work. Plan in pencil and deal with it gracefully when those plans fall through, accept that several living things call this place home and it cannot look the way I expect it to, and embrace the fact that the mess means this house is well lived in and activity abounds. Their idea of clean is not the same as mine...but, it's good enough.

What matters most about reading... (Or...why "reader-response" criticism is at the center of my classroom and my own reading life.)

Monday's "Literary Fortune" is a little bit late (sorry)...but here you go - take from it what you will (after all, you are the reader).

"...your humor's a tough dialect

for me to master, a tempo-drunk song

with a jazz of laughter

I can't quite catch

the rhythm and swing to."

(from Diane Ackerman's I Praise My Destroyer)

Literature should speak to us. It should tell us secrets that only we can hear. The story or the poem isn't the words we see on the page, it's what we fill in between them. Our own stories. Our own needs. Our own history.

Reading is a full contact mental sport. It requires that both the reader and the thing being read have something to share. And sometimes, it requires that the reader find the thing being read at the "right time". Like maybe, you only get the key to this particular book when you have done or seen or felt "x". Reading is also an intimate activity. One between you and the author, what the author has written and what it means to you.  A person can read a book when she is 15 and then again when she is 25 and quite literally have read a completely different story...because her story is different. What the reader brings to the table is paramount. 

I remember sitting in literary criticism classes in college. I also very vividly remember the professors slamming "reader-response" as being completely useless when explaining or analyzing a text. Seriously? How can one possibly take the reader (and the reader's interpretation) out of the equation? Literary critics are human (I think), so there is no real way to take human emotion, human error, background knowledge, or personal opinion out of an analysis of a book. And why would anyone want to. A book isn't a lifeless artifact to be explained by a scientist. It is a living thing waiting to be changed and explored by a reader. Even if a book could be explained scientifically (and believe me, in those lit. crit. classes, I had to attempt it several times in long, boring papers that almost made me hate reading), it makes the book into a patient to be diagnosed. And then what? We cure it? We share our research with the world, expose the book's "meaning" to potential readers who will now have no reason to read the book other than to share or refute the former scientist's findings?

Ugh. No, I'll take my book of poetry with tea, please. And my novel with a glass of wine. And I'll construct my own meaning, thank you. And yes, over a beer, I'll talk with you about what I think it means...what I liked...what I found. But, in all reality, when I do so, I'm telling you more about myself than about the book or the author's intention. 

And I'll continue to teach reader-response in my classroom, too (English Department be damned!). Don't worry, I'll teach the substance of literature as well...the history that surrounds the story (because, after all...if I am a literary critic at all, I believe most in the ideals of  Biographical criticism, New Historical criticism, or Sociological criticism), the beauty of the structure of text, literary devices and techniques, etc. I know my content. And I support the Common Core (believe me, it give teachers a hell of a lot more freedom than most standards-based programs to be the artists they really are), which encourages looking at a text objectively as an artifact and using text as evidence for claims. That's perfectly fine and useful.

But, I know most that what makes people want to read is the relationship they build with the text...the fun the have...the adventures they go on...the characters they come to care about...the information they learn...the secrets they find out...the escape the story provides.

That, ultimately, is what matters most about reading. 

I've declared today "opposite day"!

"It's opposite day!" Or so my son informs me on occasion, when a response of mine doesn't meet his expectations. For example, "No, you may not watch cartoons right now." "Well, it's opposite day, mommy, so that means your telling me I can watch cartoons." Nice try, kiddo. Creative, and I admire your ingenuity but...no.

I'm stealing his idea, though.

Here's how it works. There's dust on just about every surface in my house. Clutter abounds (I think it's mating and multiplying as I type). There's dog slobber shining on my couch, and I'm watching my cat obsessively like her navel (do cats have navels? hmmmm....must look that up later...did I mention my adult ADD?).

Amidst all of this, I have my feet up and I'm drinking a beer, watching my son and our pup run back and forth across the screen that is my living room window. I'm not moving. I'm pleasantly typing away, considering a scrapbook project, enjoying the silence...before the Pokemon cartoons begin and my husband gets home and the chores begin. Of course, I suppose I have an excuse. I ran (slowly but diligently) a half marathon yesterday. So, right now, I feel as if I wrestled an angry polar bear, and lost. I can hardly bend over, and getting up out of my chair is not really something I'm looking forward to.

So what does all this have to do with "opposite day"? Well, what I'm doing is completely against my nature. See, I'm like a rabid terrier when it comes to being productive. I walk through the front door after a long day at work, take one glance at the state of the house, and begin tidying, vacuuming, doing dishes, washing clothes. I basically ruin my own night before I even have a chance to salvage it.

Right now, it's taking every bit of my inner strength to stay seated, enjoy an adult beverage, and watch the young ones chase each other in the front yard. In fact, I think I might even be shaking a bit, trying to keep my brain on lovely, relaxing things that have nothing to do with that dirty word "chores".

So as of today, I am deeming Monday "opposite day". It's a day I'm not particularly fond of anyway, so it can use all the help it can get. A make-over like this might just be what it needs. From this day forward, when I walk through the front door on Monday, I'm going to do exactly the opposite of what I would normally do. I'm going to leave my work bag by the door, unpacked. I'm going to settle myself on the couch or in my craft room and do what I want. I'm going to resist the very real, and compulsive urge to clean or organize something. And I'm going to notice the world around me, and appreciate it.

Period.

Happy Monday, people.  And happy "opposite day"!

For good measure...it's also Monday "literary fortune" day (hey, they say it takes 2 weeks to create a habit, and since I'm only doing this on Monday...that means it's likely to take me 14 Mondays to get this down).

I did my usual...walked into the "library" (which is also our family office, my craft room, and the place where everyone in the family, including the pets, drops "everything"....so it's basically always a mess), grabbed the first book that approached my hand (I think they call to me, but it could just be the stress talking), and let the book fall open. Today it's Richard Jones' poem "Moving Day" from his collection The Blessing. It's one of my favorite collections...a "go to" for me. The poem was interesting, though...especially as a "fortune". I'd post the entire text of the poem, but as I don't want to violate copyright laws...I will simply share the end (guess you'll have to buy the book to get the full meal deal).

It's an interesting one to interpret. As I'm not moving anytime soon, I might see within these lines a bit of advice...to seize the space we have - the parts of it that matter, the people and the simple beauty - and avoid the "as it always could have been" that we only see in retrospect. 

Ahhh...the wisdom of poetry. Never ceases to amaze me. It fills in the spaces that normal conversation cannot. It is the pause in the music, the unexpected breeze on a hot day. It sustains our souls and lingers like a broken heart. 

And with that...I say good night. 

Literary Fortune #3: Writing changes everything

We all have our thing. That one thing that helps us just "let go". The thing that keeps us sane. Grounded. Real.

For you it might be gardening (if it is, I envy you). Or it might be painting, pottery, wood crafts, rebuilding old cars.

Whatever it is, it's the thing that brings you to an alternative place in your mind, shutting out everything that either doesn't matter or that makes you crazy. Maybe it's even a way to process those things, to make decisions, to provide space and time to think about life from outside of it, rather than swimming (or drowning) in the middle.

For me, it's writing.

I don't publish much. From time to time, I go through the requirements and jump through the hoops and find my words tantalizingly on the pages of a book that will find a home on someone else's shelf.  But, mostly, I write for myself. To process, to reflect, to work out problems and come to solutions.

When I don't write, I feel like I'm gagged and blindfolded, unable to engage with the world fully. I get cranky...even lazy.

That's not to say that taking a break from time to time isn't just as necessary. There are times when it is necessary to just take the world in. Put down the camera and live in the picture. Put down the pen and live the story. So that at a later time, there will be a moment to photograph...a story to tell.

I write for me. I write for my sanity. Which, means, ultimately, I write for everyone that I love.

This quote from Joyce Carol Oates points out the necessity of actions like writing. Whatever activity it is that brings you back to life, even when you feel sure you are at your end, you should do it. No matter what. Through the fatigue and the ennui.

This is what makes us human. The fact that we embrace art and creativity as medicine. It heals. It saves souls.

Books are my fortune-tellers

Books hold the wisdom of the world that cannot be held by time. Time is fleeting. Thoughts are transient. But books...words on paper...they last. They transcend.

And the wisdom held in books has the capacity to morph -- to bend to the reader's need.

I can pull a book off the shelf and read it 15 years after the first perusal, and in its pages I will find fresh meaning and a new kind of expectation. I may ultimately know the end, but the journey, the part that really counts, will be fully changed to accommodate who I have become as a reader...and a person.

I have a tendency to write in my books. I know for some this is sacrilege, but to me, it is communion -- a close conversation with the writer...the character. It is how I talk to the book, and how I lay a foundation for later re-reading. And it's one of the things I like best about used books - knowing someone else has been there before, touching those words with their eyes, hoping to find something.

So, when I draw a book from the shelf, let it fall open, and run my eyes along the page until I find it...the word or phrase or quote that stops me...I think it makes sense to call it "fortune-telling". Words are precious...and because of this, books are gold mines...a place where a reader can make a fortune in thoughts.

Today's book fortune comes from Elizabeth Wurtzel's Bitch:

Literary fortunes, Seamus Heaney, and art as a means to an end

For awhile, on my poetry tumblr site, I was doing these "poetry fortunes." So much better, really, than a stale, yellow cookie with a piece of advice or an obvious bit of information inside. I close m eyes, spin in a circle, run my fingers along the spines of my books, pull one down, let the pages fall where they will, and open my eyes. Whatever I find there, I mine for meaning and consider ways I might be able to apply it to my day or my life. Really, it's an interesting way to start a day, and it always makes for deep thinking during down time. This bit is from "Harvest Bow" by Seamus Heaney (one of my great literary loves). "The end of art is peace." It's a line that tugs at the corners of my brain because it could mean so many things. I consider the "means to an end" and that "end" being art...which invariably leads to a sort of "crazy" that is necessary to life. Without art, we cease to be human...we cease to seek peace, love, war.... In our hands, we hold the power of creation, and when we create well, we feel the satisfaction of our production. For me, it isn't the harvest bow, but rather a completed scrapbook full of important moments collected and arranged lovingly and artfully...or a poem...or, yes...even a blog post.

The Harvest Bow

As you plaited the harvest bow
You implicated the mellowed silence in you
In wheat that does not rust
But brightens as it tightens twist by twist
Into a knowable corona,
A throwaway love-knot of straw.

Hands that aged round ashplants and cane sticks
And lapped the spurs on a lifetime of game cocks
Harked to their gift and worked with fine intent
Until your fingers moved somnambulant:
I tell and finger it like braille,
Gleaning the unsaid off the palpable,

And if I spy into its golden loops
I see us walk between the railway slopes
Into an evening of long grass and midges,
Blue smoke straight up, old beds and ploughs in hedges,
An auction notice on an outhouse wall—
You with a harvest bow in your lapel,

Me with the fishing rod, already homesick
For the big lift of these evenings, as your stick
Whacking the tips off weeds and bushes
Beats out of time, and beats, but flushes
Nothing: that original townland
Still tongue-tied in the straw tied by your hand.

The end of art is peace
Could be the motto of this frail device
That I have pinned up on our deal dresser—
Like a drawn snare
Slipped lately by the spirit of the corn
Yet burnished by its passage, and still warm.